A simple process

Century of Aeroplanes, di cui ci siamo già occupati, ha prodotto un nuovo EP, “A simple process” che

is a collection of 6 compositions, each of which is based around a simple melodic fragment. These fragments are then altered by various processes (i.e. adding notes, transposing, shifting the beat placement). The compositions end when the process has run its course

Il risultato è un tranquillo ambient, con evidenti reminiscenze di un vecchio Eno, ma non è male e la progettualità compositiva applicata a del materiale di estrazione praticamente pop gli vale una citazione.

L’intero disco si può acquistare con donazione a scelta su bandcamp o scaricare, anche via torrent, dall’internet archive

Sonmi451

It’s a delight to welcome Belgian artist Bernard Zwijzen, aka Sonmi451, a veteran of release of real-life labels such as U-Cover, to Monotonik with his rather divine 4-track release, ‘The Quiet EP’, which artfully blends ambience and melody in some delightfully beguiling ways.
This EP, includes both tracks from Sonmi451’s super-limited edition U-Cover CDR ‘Vladivostok’, as well as new material.

Sonmi451 – Vladivostok

Sonmi451 is on Bandcamp. The whole EP can be downloaded from here or there.

rhythm ‘n’ drones

Contrasts, micro-tonalities, complements, embryo structures, drones. All this, in the casual and systematic exploration of the moment, elevates ‘Rhythm & Drones’ to intemporality, thus inhabiting the present and the history, so we could freely trail this ‘trans-temporality’ without preconceptions.
[Bruno Barros]

Find on TestTube.

Jo Jena – rhythm ‘n’ drones (excerpts) – download the whole album

 

Lezrod

Had David Velez, in his Lezrod disguise, inspired himself in the works of Jules Verne for this release, and I would say that he was showing us around the mighty submarine Nautilus, and then taking us in a guided journey through the deep sea.
Is the name “Submar” an abbreviation for Submarine? Only David will know for sure. But in this first piece, everything is dark. Sounds that could almost be labeled industrial group together and are splintered with samples of water moving. Almost no rhythm, apart from the waves of static and the flow and ebb of distant echoes of dark sounds. A gloomy landscape, with the comforting melancholy that only Lezrod can achieve.
The title says it all: sonic explorations of surreal landscapes and infinite spaces. This is the best description one could give.
[Luís Marta]

Lezrod – Exploraciones sonoras de paisajes surreales y espacios infinitos (2006)

Full download from Test Tube

L’uomo approssimato

Four years after “Le projet flou” Daniel Palomo Vinuesa is back with the Serendipity collective for «L’homme approximatif».
Daniel Palomo Vinuesa mixes so many genres in “L’homme Approximatif” where written and improvised music melt with concrete sounds and electronica that one mind dazzles easily. It’s what makes this album interesting, it’s a unique experience where freedom is the main component… You’ll then listen to this album letting your mind being captured by its rollercoaster construction.
Jazz and electronic music are certainly the basis of Palomo Vinuesa’s creation but each theme surprises the listener allowing him to travel in various musical landscapes.

Music for Elevators

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The bulgarian netlabel Mahorka releases three albums with Music for Elevators intended to replace the conventional, stupid and insipid muzak played on the elevators all over the world.

Excerpts from volume 3

Downloads
Music for Elevators Vol. 1
Music for Elevators Vol. 2
Music for Elevators Vol. 3

nest

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Nest is the collaborative project of Otto Totland and Huw Roberts. The two started working together after forging a strong friendship as former members of the Miasmah label. This self-titled EP is their first work publicly released.
Both pianists, there is little wonder that after exploring a plethora of musical styles, the two find themselves most at home writing traditionally structured pieces, with the ivories a major element throughout. The EP demonstrates clearly the innate ability the two have for song writing, borrowing from the world of film soundtracks and contemporary classical composers to craft delicate instrumental compositions.
Alongside their favoured instrument can be variously heard the plucked strings of the Welsh harp, violins, woodwind instruments, field recordings, percussion and a heady dose of mind wobbling effects.

The album is available from the Serein netlabel in 320kbps MP3

Listen to

Lodge
Trans Siberian

S.N.O.W. – Driving the Storm

Nuova improvvisazione in duo nata durante un temporale estivo.

A new improvisation born in the midst of a summer storm.

S.N.O.W. is
Federico Mosconi: electric guitar, various effect processing
Mauro Graziani: Max/MSP laptop

Driving the Storm

Sawako

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Sawako is a sound sculptor and timeline-based artist who understands the value of dynamics and the power of silence. Beginning in video art, Sawako shifted her focus from the video camera to sound. Once through the processor named Sawako, fragments in everyday life – field recordings, instruments, voice and electronic sounds – float in space vividly with a digital yet organic texture. Her unique sonic world has been called “post romantic sound” by Boston’s Weekly Dig.

Quest.Room.Project

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Un altro interessante gruppo russo.

A gentle flute motive introduces us to the world of Quest.Room.Project from Russia, and one might at first expect a relaxed listening experience. But by the time more voices chime in, it becomes obvious that these spotlights are going to be swallowed by shadows of tragic compassion. “Room Number: Fiducial Banality” is organised in 4 parts (one could as well define them as movements, because there are some key themes occuring throughout the entire release) and each of them features a room with distinct acoustic characteristics:
“The reason for surfacing” appears like a shadow of a doubt that gradually turns into overwhelming certainty. Almost inaudible at the beginning, “Assemblage” soon escalates to several emotional outbursts, before exhaustion will take its tribute in “Possession” and create a haunted, threatening atmosphere. As reminiscence of the beginning, “Combined Exercises” begins with a flute solo and continues to pick up previous motives to escalate them to a wall of sound. Finally the dissonances wither away and make room for the last remnants of the ever occuring flute theme. A cycle has been completed and we are at the beginning again…
Bogdan Dullsky, the creative head behind the Quest.Room.Project, describes his intentions as “a search of space for the life leaving for borders of habitual linearity”. But “Room Number: Fiducial Banality” doesn’t attempt to descibe a solution to break free: It’s left up to the listeners themselves to recognise their personal ever returning patterns of life and change them by their own strategy. or – as Bogdan concludes – as an “attempt to live by some own rules on which borders it is possible to breathe freely”.

Listen to