8-bit revenge

I don’t like the music, but the video is really funny.

8-bit Jesus

Doctor Octoroc rilascia un album composto da revisioni di carole natalizie arrangiate nel classico stile 8-bit dei vecchi videogames. Il tutto è scaricabile qui.

Intanto ecco un anticipo

Thiaz Itch

Un’altra band di 8 bit music. Forse non è giusto etichettarli così, ma questo album, “El baile de los fantasmas”, mi ricorda maledettamente i Residents.

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This special Thiaz Itch album is a collection of horror and frightening musics from 2005 to 2007. It blends dark ambient and ghostly beats together, recounting a phantasmal stunning story.

About Thiaz Itch:
Born near 1999, half-way between crude-hardcore and infantile naivety, this unstable toon tells the musical stories of his coloured and pixellized universe. By his eclectic influences and his sound research, he intersects marrowy atmospheres and diabolic rhythmics, metal aggressiveness and puerile happiness, for finally producing a musical flow in constant mutation

Download the whole album

Goto80

Goto80

With roots in both catchy and extreme music plus an unhealthy obsession with errors and variation, Goto80 delivers eclectic music based on 8-bit technology. Since 10 years Goto80 has been praised as a datapriest both in the demoscene aswell as at pop and club stages around the world, with some 80 gigs in Europe, America and Australia. Within the 8-bit sound he seamlessly blends styles ranging from soothing ambience to furious breakcore, although often recognized for his melodic poppy songs. Apart from some commercial releases, he spreads his music for free. His live shows humanize the technology by number-jamming, singing and keyboard-destruction and hopefully have either Entter or Jossystem as VJs.
Listen to

Divertiamoci un po’.
Da 10 anni, Goto80 fa 8 bit music, ovvero musica eseguita da un paio di oscillatori e un noise generator tipo Commodore64.
È una tendenza anti tecnologica a metà, lo-fi e anti-colta che mette in discussione una hi-fi imperante che serve solo a riprodurre band sempre più uguali a se stesse e con sempre meno cose da dire.
E se Barking at the Wrong Dog (trad: abbaiando al cane sbagliato, un titolo da segnarsi) ti ributta nell’atmosfera dei videogames C64, Love Crime fa il verso ai Kraftwerk seconda maniera.
A piccole dosi, mi piace.