A Cartographic Anomaly

David Toop (born 5th May 1949, Enfield, London, England) is a musician, writer and sound curator. He has published three books, currently translated into six languages: Rap Attack (now in its third edition), Ocean of Sound, and Exotica (selected as a winner of the 21st annual American Books Awards for 2000).

His first album, New and Rediscovered Musical Instruments, was released on Brian Eno’s Obscure label in 1975; since 1995 he has released six solo albums – Screen Ceremonies, Pink Noir, Spirit World, Museum of Fruit, Hot Pants Idol and 37th Floor At Sunset: Music For Mondophrenetic – and curated six acclaimed CD compilations for Virgin Records – Ocean of Sound, Crooning On Venus, Sugar & Poison, Booming On Pluto, Isolationism and Guitars On Mars. In 1998 he composed the soundtrack for Acqua Matrix, the outdoor spectacular that closed every night of Lisbon Expo ’98 from May until September.

He has recorded shamanistic ceremonies in Amazonas, appeared on Top Of The Pops with The Flying Lizards, worked with musicians including Brian Eno, John Zorn, Prince Far I, Jon Hassell, Derek Bailey, Talvin Singh, Evan Parker, Max Eastley, Scanner, Ivor Cutler, Haruomi Hosono, Jin Hi Kim and Bill Laswell, and collaborated with artists from many other disciplines, including theatre director/actor Steven Berkoff, Japanese Butoh dancer Mitsutaka Ishii, sound poet Bob Cobbing visual artist John Latham, filmmaker Jae-eun Choi and author Jeff Noon.

As a critic and columnist he has written for many publications, including The Wire, The Face, The Times, The Sunday Times, The Guardian, Arena, Vogue, Spin, GQ, Bookforum, Urb, Black Book, The New York Times and The Village Voice. He has curated Sonic Boom, the UK’s largest ever exhibition of sound art, displayed at the Hayward Gallery, London, from April to June, 2000. In 2001-02 he was sound curator for Radical Fashion, an exhibition of work by designers including Issey Miyake, Junya Watanabe, Martin Margiela and Hussein Chalayan, held at the Victoria and Albert Museum in 2001-2002 and featuring music by Björk, Ryuichi Sakamoto, Akira Rabelais, Paul Schütze and others.
[Text from Last-FM]

David Toop – A Cartographic Anomaly from Hot Pants Idol album

The Side Effect

coverThe Side Effect is a swedish trio composed by Dan Pålsson (Pythagora), Pierre Sjöbring (Pilectro), Frank Berggrensson.

Their last release is Act 1 & 2 published by suRRism-Phonoethics netlabel. Click here to download.

Excerpt:

Dreaming in R’lyeh

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The nightmare corpse-city of R’lyeh…was built in measureless eons behind history by the vast, loathsome shapes that seeped down from the dark stars. There lay great Cthulhu and his hordes, hidden in green slimy vaults.
[H. P. Lovecraft, The Call of Cthulhu]

 

 

R’lyeh is a fictional city that first appeared in the story “The Call of Cthulhu,” by H. P. Lovecraft. R’lyeh is also referred to in Lovecraft’s “The Mound” as Relex. R’lyeh is a sunken city located deep under the Pacific Ocean and is where the godlike being Cthulhu is buried.

R’lyeh is sometimes referred to in the ritualistic phrase

Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn

which roughly translates to “In his house at R’lyeh dead Cthulhu waits dreaming”.

For sure H. P. Lovecraft fans are Josef Nadek and DMAH, the authors of this work published by suRRism-Phonoethics (but click here to download).

Minimal States

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Thomas Carter has yet another musical project called Minimal States, where he explores ambient soundscapes based on collected samples and field recordings.
Like A Photograph‘ is the first set of a trilogy that Thomas intends to release on test tube.

This first work is heavily based on samples taken from the well known Fm3 Buddha Machine and CC field recordings taken from the Quiet American website. With 15 minutes spent with each piece – ‘Circadian Rhythms’ and ‘Stereopsis’ – Minimal States embraces the full spectrum of landscape generative ambient in its true form.

The second album in the trilogy is ‘Liberty Hoax’. Firmly based in the urban, developed and political world, far from the timelessness of the forest and natural world of the first album, it examines the vast, densely populated spaces of the inner-city and the physical and cultural wastelands that surround it.

Moreover, the album is concerned with the place of the individual amongst the masses, and with the concept of identity itself in a world where companies and the State have ever-increasing powers to access and regulate personal data. The album questions whether personal freedom is still a priority for governments and legislators, or if it is now merely a glass wall, a façade, or a mirage that will vanish when approached

Download the first part here and the second here.

Excerpts:

Metathreading

coverMatt’s (aka Craque) electronic music came to be regarded as a hybrid between edgy improv takes and deep IDM-ish grooves. Both languages come together through Matt’s electronics and form an intricate and complex maze of rhythms, beats and hypnotic grooves.
Metathreading is no exception. Matt took various free improvisation edits – named as ‘threads’ – and some other remixes – called ‘Stacks’ – based on a handful of selected ‘threads’ and put them all together. All this was done on a live setup without a laptop. Matt only used his own prepared instruments, with only the obvious edits (also very few) made after with the aid of software.

Download from Test Tube.

Some tracks:

Backyard Mysteries

cover«Brian Ruskin is a Ph.D in Geology (Stratigraphy branch) and at the same time a musician and producer from Pittsburgh, USA. Science and Art very close together. The music he makes as Mental Health Consumer falls right in the middle of the Electronic genre, slightly danceable and upbeat variant, without loosing too much focus but admittedly keen on experimental ambient explorations. With his music, Brian tries to achieve that special balance between the calculated and the emotive side of the mind.

Such is ‘Backyard Mysteries’, an extremely interesting and uncompromising collection of tracks with a full range of soft pads, techno inspired beats and soothing soundscapes, but also retaining a very curious experimental ambient side, which will keep you interested all through the end.» – Pedro Leitão

Download from Test Tube.

Excerpts:

Fluorinescence

coverJustin Robert and Jeremy Powell are both enthusiast musicians that play live jazz for a living. Justin is a percussionist and likes to fiddle with analog synths, and Jeremy plays saxophone.
Both musicians love free jazz and improvisation, so one night they got together, Justin on synth and Jeremy on sax, and they put ‘Fluorinescence’ onto tape.

Twelve tracks lasting 65′ 20”. Download the whole album from Test Tube.

Excerpts:

Gravité

Gravité from Renaud Hallée on Vimeo.

Gravité (Gravity). Falling objects synchronized to produce rhythm. 2009

Via Open Culture

Imaginary Landscapes

Speaking about Brian Eno (see previous post), on You Tube there is the whole Imaginary Landscapes, a film on Eno by Duncan Ward & Gabriella Cardazzo.

Imaginary Landscapes is a profile of a modern artist at the cutting edge of technological change and popular taste. It brings into an intensely personal focus Brain Eno’s seemingly disparate work in sound, vision and light, and explores his music in visual terms, based on landscapes and images that have shaped his life as an artist.

An audience with Brian Eno

EnoPaul Morley recently spoke to Brian Eno for a BBC arena documentary in which Eno proved that he is always good for a controversial and catchy phrase about the music industry:

The record age was just a blip. It was a bit like if you had a source of whale blubber in the 1840s and it could be used as fuel. Before gas came along, if you traded in whale blubber, you were the richest man on Earth. Then gas came along and you’d be stuck with your whale blubber. Sorry mate – history’s moving along. Recorded music equals whale blubber. Eventually, something else will replace it.

The whole interview is published on the Guardian’s site.